"Stabat Mater: II. O quam tristis et afflictia" by Joseph Haydn, René Jacobs, Kristina Hammarström, Kammerorchester Basel was released on March 17, 2023. Stabat Mater: II. O quam tristis et afflictia is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Steve Davislim, Christian Immler, Kammerorchester Basel, Zürcher Sing-Akademie's "Haydn: Stabat Mater" album is number 2 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Stabat Mater: II. O quam tristis et afflictia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater: II. O quam tristis et afflictia by Joseph Haydn, René Jacobs, Kristina Hammarström, Kammerorchester Basel to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4 in C Minor, Op. 18, No. 4: IV. Allegro | Ludwig van Beethoven, Kodály Quartet | A♭ Major | 2 | 4B | 133 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Piano Concerto No.2 in B flat major, Op.19: 3. Rondo (Molto allegro) | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | B♭ Major | 2 | 6B | 143 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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