Carlo Maria Giulini, Philharmonia Orchestra's 'Symphony No. 3 in E flat major Op. 97 'Rhenish' (2002 Digital Remaster): V. Lebhaft' came out on 2002. Symphony No. 3 in E flat major Op. 97 'Rhenish' (2002 Digital Remaster): V. Lebhaft is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 6 out of 28 in Carlo Maria Giulini : Great Conductors of the 20th Century by Carlo Maria Giulini. Based on our statistics, Symphony No. 3 in E flat major Op. 97 'Rhenish' (2002 Digital Remaster): V. Lebhaft's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 3 in E flat major Op. 97 'Rhenish' (2002 Digital Remaster): V. Lebhaft by Carlo Maria Giulini, Philharmonia Orchestra is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 2 | 2A | 136 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 66 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo: Vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 71 BPM | ||
Martha (Opera In 4 Acts) - Sung In German / Act 3: Ach, so fromm | Friedrich von Flotow, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
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