"Selig wie die Sonne (Die Meistersinger von Nürnberg)" by Friedrich Schorr, Gladys Parr, Elisabeth Schumann, London Symphony Orchestra, Ben Williams, Lauritz Melchior was released on August 19, 2006. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 22 out of 24. Selig wie die Sonne (Die Meistersinger von Nürnberg) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Selig wie die Sonne (Die Meistersinger von Nürnberg) by Friedrich Schorr, Gladys Parr, Elisabeth Schumann, London Symphony Orchestra, Ben Williams, Lauritz Melchior to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op. 59, TrV 227, Act II: 'Ohne mich, ohne mich' (Baron, Annina) | Richard Strauss, Lotte Lehmann, Emanuel List, Friedrich Schorr, Dorothee Manski, Karl Laufkotter, Nicholas Massue, Doris Doe, Norman Cordon, Arnold Gabor, Erich Witte, Risë Stevens, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Artur Bodanzky | F Major | 5 | 7B | 82 BPM | ||
Die schweigsame Frau, Op. 80, TrV 265: Nicht viel schwätzen, nicht parlieren | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Eva Maria Rogner, Marianna Radev, Lilian Benningsen, Fritz Wunderlich, Josef Knapp, Hans Hotter, Karl Christian Kohn, Karl Hoppe | F♯ Major | 2 | 2B | 89 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Rückert Lieder: III. Ich bin der Welt abhanden gekommen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 0 | 5B | 72 BPM | ||
Czardasfürstin - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots | F Major | 5 | 7B | 84 BPM | ||
Marcia Religioso | Carmine Coppola, Conductor | G Major | 1 | 9B | 81 BPM | ||
La Bohème / Act 1: O soave fanciulla, o dolce viso | Giacomo Puccini, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre Régional Avignon Provence | G Major | 1 | 9B | 91 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Lohengrin - Cigno Fedel | Miguel Fleta | G Major | 1 | 9B | 70 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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