Johann Sebastian Bach, Walter Gieseking's 'Prelude And Fugue In E Flat Minor / D sharp minor (Well-Tempered Clavier, Book I, No. 8), BWV 853' came out on May 1, 2021. Since Prelude And Fugue In E Flat Minor / D sharp minor (Well-Tempered Clavier, Book I, No. 8), BWV 853 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #47. Based on our statistics, Prelude And Fugue In E Flat Minor / D sharp minor (Well-Tempered Clavier, Book I, No. 8), BWV 853's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prelude And Fugue In E Flat Minor / D sharp minor (Well-Tempered Clavier, Book I, No. 8), BWV 853 by Johann Sebastian Bach, Walter Gieseking having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Ian Bostridge, Franz-Joseph Selig | D♭ Minor | 1 | 12A | 88 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM |
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