"Rosary Sonata No. 16 in G Minor for Solo Violin, "Passacaglia"" by Heinrich Ignaz Franz von Biber, Rachel Podger was released on October 16, 2015. Since Rosary Sonata No. 16 in G Minor for Solo Violin, "Passacaglia" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 16 in Biber: Rosary Sonatas (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Rachel Podger. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Rosary Sonata No. 16 in G Minor for Solo Violin, "Passacaglia" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rosary Sonata No. 16 in G Minor for Solo Violin, "Passacaglia" by Heinrich Ignaz Franz von Biber, Rachel Podger is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Abdelazar Suite, Z. 570: I. Overture | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Corelli: Sonata No. 1 in C Major (from "12 Violin Sonatas", Op. 4): I. Preludio (Largo) - II. Corrente (Allegro) - III. Adagio - IV. Allemanda (Presto) | Arcangelo Corelli, London Baroque/Charles Medlam, Charles Medlam | B Major | 2 | 1B | 99 BPM | ||
Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1) | George Frideric Handel, Maurice Steger, La Cetra | F♯ Minor | 4 | 11A | 87 BPM | ||
Viola da Gamba Suite in D Major: IV. Andante | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 138 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Violin Sonata in E-Flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | A Major | 1 | 11B | 139 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonata in B-flat Major, No. 2: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 132 BPM |
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