"Oblivion" by Gidon Kremer was released on 1996. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gidon Kremer's "Hommage A Piazzolla & Peterburschsky" album is number 3 out of 11. The popularity of Oblivion is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oblivion by Gidon Kremer to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro non molto - Agghiacciato tremar tra nevi algenti...* | Antonio Vivaldi, Gidon Kremer, Kremerata Baltica | F Minor | 1 | 4A | 148 BPM | ||
The Waltz | Zbigniew Preisner | C Minor | 2 | 5A | 101 BPM | ||
5 Mélodies, Op. 35bis: III. Animato, ma non allegro - Poco più tranquillo - Meno mosso | Sergei Prokofiev, Gidon Kremer, Martha Argerich | B Major | 1 | 1B | 90 BPM | ||
Titli - Remastered | Orchestra Eleni Karaindrou | E Minor | 2 | 9A | 58 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Porz Goret | Yann Tiersen | D♭ Major | 1 | 3B | 152 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Dark Eyes (Arr. Harle) | Traditional, Jess Gillam, Zeynep Özsuca, John Harle, Tippett Quartet, Andee Birkett | C Minor | 5 | 5A | 92 BPM | ||
Bregovic: Ederlezi | Goran Bregović, Nigel Kennedy, The Kroke Band | E Minor | 2 | 9A | 79 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM |
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