"Lyrische Symphonie, Op.18: 1. Langsam" by Alexander von Zemlinsky, Håkan Hagegård, Concertgebouworkest, Riccardo Chailly was released on November 24, 1994. Lyrische Symphonie, Op.18: 1. Langsam appears to be safe for all ages as it is not explicit. This song is part of Zemlinsky: Lyric Symphony; Sinfonische Gesänge by Alexander von Zemlinsky, Alessandra Marc, Håkan Hagegård, Willard White, Concertgebouworkest, Riccardo Chailly. The song's track number on the album is #1 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lyrische Symphonie, Op.18: 1. Langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lyrische Symphonie, Op.18: 1. Langsam by Alexander von Zemlinsky, Håkan Hagegård, Concertgebouworkest, Riccardo Chailly has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lyrische Symphonie, Op.18: 1. Langsam being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuett aus "Das gläserne Herz" | Alexander von Zemlinsky, Emanuele Torquati | D Major | 1 | 10B | 85 BPM | ||
Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | D Major | 0 | 10B | 70 BPM | ||
L'Africaine (The African Maid), Act I: Overture: Act V: Entr'acte | Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang | E♭ Major | 3 | 5B | 120 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace | Wilhelm Furtwängler | B♭ Major | 3 | 6B | 104 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VI. Vivace | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | B♭ Major | 3 | 6B | 95 BPM | ||
4 Romances, Op. 2: No. 2, Eastern Song: The Nightingale Enslaved by the Rose | Nikolai Rimsky-Korsakov, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse | Maurice Ravel, Sinfonia of London Chorus, Sinfonia Of London, John Wilson | D Major | 0 | 10B | 82 BPM | ||
Fantasien über Gedichte von Richard Dehmel, Op. 9: No. 2, Waldseligkeit | Alexander von Zemlinsky, Emanuele Torquati | B♭ Major | 1 | 6B | 76 BPM |
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