"Every Day (Marius and Cosette)" by Tracy Shayne, Michael Ball, Gary Morris was released on January 1, 1988. The duration of Every Day (Marius and Cosette) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Every Day (Marius and Cosette)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claude-Michel Schönberg, Alain Boublil's "Les Misérables (The Complete Symphonic Recording)" album is number 41 out of 44. On top of that, United Kingdom appears to be the country where this track was created. Every Day (Marius and Cosette) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Every Day (Marius and Cosette) by Tracy Shayne, Michael Ball, Gary Morris to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
If I Can't Love Her | Terrence Mann | C Major | 1 | 8B | 84 BPM | ||
It's a Maze | Tom Toner, Daisy Eagan, John Cameron Mitchell | D Minor | 3 | 7A | 170 BPM | ||
Where Are You? - Original Broadway Cast Recording: "Spamalot" | Christian Borle | A Major | 5 | 11B | 71 BPM | ||
Look at the Sky | Hunter Foster, Nancy Opel, Rachel Coloff, Rick Crom, Kay Walbye, Victor W. Hawks, Spencer Kayden, Ken Jennings, Megan Lawrence, Lawrence Street | F♯ Major | 4 | 2B | 144 BPM | ||
Valjean's Soliloquy (What Have I Done?) | Gary Morris | B♭ Major | 3 | 6B | 79 BPM | ||
It's Hot Up Here | Sunday in the Park with George Ensemble | C Major | 3 | 8B | 112 BPM | ||
The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] | Jill Santoriello, Natalie Toro, Kevin Earley | F Minor | 6 | 4A | 119 BPM | ||
Unlikely Lovers | William Finn | E Major | 1 | 12B | 108 BPM | ||
Over The Wall II | Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Brent Carver, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron, Anthony Crivello | G Minor | 6 | 6A | 156 BPM | ||
You Did It | Harry Haden-Paton, Allan Corduner, Linda Mugleston, My Fair Lady Ensemble | C Major | 4 | 8B | 146 BPM |
Section: 0.5714163780212402
End: 0.5768883228302002