"L. van Beethoven: Sinfonie Nr. 9 d-moll op. 125/4. Presto" by Gewandhausorchester Leipzig, Edda Moser, Rosemarie Lang, MDR Leipzig Radio Chorus, Theo Adam, Kurt Masur, Peter Schreier, Gewandhauschor/Gewandhaus-Kinderchor, Thomanerchor Leipzig was released on 1981. L. van Beethoven: Sinfonie Nr. 9 d-moll op. 125/4. Presto appears to be safe for all ages as it is not explicit. The track order of this song in Gewandhausorchester Leipzig's "Ludwig Van Beethoven: Sinfonie Nr. 9 d-moll op. 125/Symphony no: 9 in d minor/Mitschnitt des Eröffnungskonzertes" album is number 4 out of 4. On top of that, Germany appears to be the country where this track was created. L. van Beethoven: Sinfonie Nr. 9 d-moll op. 125/4. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L. van Beethoven: Sinfonie Nr. 9 d-moll op. 125/4. Presto by Gewandhausorchester Leipzig, Edda Moser, Rosemarie Lang, MDR Leipzig Radio Chorus, Theo Adam, Kurt Masur, Peter Schreier, Gewandhauschor/Gewandhaus-Kinderchor, Thomanerchor Leipzig to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in E flat, Op. 28: 3. Quasi fantasia (Grave) | Max Bruch, Gewandhausorchester, Kurt Masur | E♭ Minor | 0 | 2A | 77 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM | ||
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | G Major | 1 | 9B | 135 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 1: No.11: "Baal, erhöre uns!" | Felix Mendelssohn, MDR Leipzig Radio Chorus, Gewandhausorchester, Wolfgang Sawallisch | D Major | 4 | 10B | 102 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood | Edvard Grieg, Gewandhausorchester Leipzig, Kurt Masur | E Major | 0 | 12B | 109 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |
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