"Water Music, Suite No. 2 in D Major, HWV 349: Andante espressivo" by Stuttgart Chamber Orchestra, Karl Münchinger was released on August 3, 2012. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stuttgart Chamber Orchestra, Karl Münchinger's "Handel, Haydn, Mozart: Klassik-Festival" album is number 2 out of 11. Water Music, Suite No. 2 in D Major, HWV 349: Andante espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music, Suite No. 2 in D Major, HWV 349: Andante espressivo by Stuttgart Chamber Orchestra, Karl Münchinger to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Piano Concerto No. 17 in G Major, K. 453: 3. Allegretto - Finale: Presto | Wolfgang Amadeus Mozart, Keith Jarrett, Stuttgart Chamber Orchestra, Dennis Russell Davies | D Major | 1 | 10B | 141 BPM | ||
Concerto [No. 7] B Flat Major Hwv 306 (Op. 7, 1): Andante | Nicol Matt, Christian Schmitt, Reinhard Geller, Stuttgart Chamber Orchestra, George Frideric Handel | B♭ Major | 1 | 6B | 111 BPM | ||
Christe, du Lamm Gottes, MWV A 5 | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 67 BPM | ||
Concerto No. 3 in G Minor, HWV 291, Op. 4: I. Adagio | George Frideric Handel, Christian Schmitt, Stuttgart Chamber Orchestra, Nicol Matt | G Minor | 1 | 6A | 115 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Serenade, E-Major, op. 22: II. Tempo di Valse | Stuttgart Chamber Orchestra, Martin Sieghart | A Major | 0 | 11B | 126 BPM |
Section: 0.7124955654144287
End: 0.7162654399871826