José van Dam, Flämische Rundfunkorchester, Los Vandaminos Kinderchor, Dirk Brossé, Flämischer Frauen-Rundfunkchor's 'O Tannenbaum' came out on 2006. The duration of O Tannenbaum is about 3 minutes long, at 3:03. Based on our data, "O Tannenbaum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weihnachten mit Jose van Dam by Various Artists. The song's track number on the album is #3 out of 17 tracks. Based on our data, Germany was the country where this track was produced or recorded. O Tannenbaum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O Tannenbaum by José van Dam, Flämische Rundfunkorchester, Los Vandaminos Kinderchor, Dirk Brossé, Flämischer Frauen-Rundfunkchor has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With O Tannenbaum being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Otello (1988 Digital Remaster), ATTO QUARTO, Terza e quarta scena: Niun mi tema (Otello/Cassio/Lodovico/Montano) | Aldo Bottion, Berliner Philharmoniker, José van Dam, Mario Machi, Herbert von Karajan, Jon Vickers | G Major | 0 | 9B | 68 BPM | ||
Pelléas et Mélisande, L. 88 / Act IV: "Pelléas part ce soir" | Claude Debussy, Maria Ewing, José van Dam, Jean-Philippe Courtis, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 166 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM |
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