"Amor mio, si muero y tu no mueres" by Peter Lieberson, Lorraine Hunt Lieberson was released on December 18, 2006. Since Amor mio, si muero y tu no mueres is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Sings Peter Lieberson: Neruda Songs". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Amor mio, si muero y tu no mueres is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amor mio, si muero y tu no mueres by Peter Lieberson, Lorraine Hunt Lieberson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Histoire du Soldat, Pt. 1: Marche du soldat | Igor Stravinsky, Sergio Azzolini, Daniel Breszynski, Michel Cerutti, Shlomo Mintz, Vincent Pasquier, Pascal Moraguès, Marc Bauer | F♯ Major | 4 | 2B | 155 BPM | ||
Britten: Serenade, Op. 31: II. Pastoral | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 178 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 3. Largamente, ma mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 140 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Reminiscentia / Autumn Landscapes: V. Wind Along the Heath | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 97 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Trittico botticelliano, P. 151: I. La primavera | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 1 | 11B | 130 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Mahler: Das Lied von der Erde: II. Der Einsame im Herbst | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM |
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