"24 Préludes Op. 28: No. 7 in A major" by Víkingur Ólafsson was released on May 4, 2011. With 24 Préludes Op. 28: No. 7 in A major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vikingur Olafsson: Chopin - Bach by Víkingur Ólafsson. The song's track number on the album is #20 out of 37 tracks. 24 Préludes Op. 28: No. 7 in A major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 24 Préludes Op. 28: No. 7 in A major by Víkingur Ólafsson has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 24 Préludes Op. 28: No. 7 in A major being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Jóhann | Víkingur Ólafsson | C Minor | 1 | 5A | 111 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Piano Sonata in B Minor, Hob.XVI:32: III. Finale. Presto | Joseph Haydn, Víkingur Ólafsson | E♭ Major | 0 | 5B | 122 BPM | ||
Prelude & Fugue in E Minor (Well-Tempered Clavier, Book I, No. 10), BWV 855: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | E Minor | 1 | 9A | 130 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Víkingur Ólafsson | C Major | 2 | 8B | 107 BPM | ||
…And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM |
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