"Les nuits d'été, Op. 7: 2. Le spectre de la rose" by Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine was released on January 1, 1995. Les nuits d'été, Op. 7: 2. Le spectre de la rose is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 2 out of 12 in Berlioz: Les Nuits d'éte; Mélodies by Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les nuits d'été, Op. 7: 2. Le spectre de la rose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les nuits d'été, Op. 7: 2. Le spectre de la rose by Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga" | George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | E Major | 0 | 12B | 79 BPM | ||
Symphony No.5 In C Minor, Op.67: 2. Andante con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 81 BPM | ||
Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio) | Hector Berlioz, Jean Martinon, Charles Burles, Michel Sendrez, Orchestre National de l'O.R.T.F. | F Minor | 0 | 4A | 83 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Vier letzte Lieder, TrV 296: I. Frühling | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 100 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM |
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