"Mythes, Op. 30: 1. La fontaine d'Aréthuse" by Karol Szymanowski, Janine Jansen, Antonio Pappano was released on September 10, 2021. With this song being about 5 minutes long, at 5:23, "Mythes, Op. 30: 1. La fontaine d'Aréthuse" by Karol Szymanowski, Janine Jansen, Antonio Pappano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 12 Stradivari, so we believe that "Mythes, Op. 30: 1. La fontaine d'Aréthuse" is a single. In terms of popularity, Mythes, Op. 30: 1. La fontaine d'Aréthuse is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mythes, Op. 30: 1. La fontaine d'Aréthuse by Karol Szymanowski, Janine Jansen, Antonio Pappano is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: 7 British Songs, WoO 158b: VI."O Mary, ye's be clad in silk" | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano, Nicolas Altstaedt, Vilde Frang | A Minor | 2 | 8A | 108 BPM | ||
Serenade in C Major, Op. 10: Scherzo: Vivace | Ernst von Dohnányi, Spectrum Concerts Berlin | A Minor | 2 | 8A | 106 BPM | ||
Verdi: Aïda, Act 3: "Ciel! mio padre!" (Aida, Amonasro) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 78 BPM | ||
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarino, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Mofidian, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 2 | 4A | 80 BPM | ||
Verdi: Aïda, Act 2: "Che veggo! Egli? Mio padre!" (Aida, Amneris, Radamès, Ramfis, King, Priests, Chorus, Amonasro) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 2 | 10B | 68 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Piano Trio No. 1 in C Minor, Op. 8 | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | E♭ Major | 1 | 5B | 71 BPM | ||
String Quartet in E Minor, Op. 44, No. 2, MWV R26: II. Scherzo. Allegro di molto | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 1 | 4B | 96 BPM | ||
Piano Quintet in E flat, Op. 44: 4. Allegro, ma non troppo | Robert Schumann, Beaux Arts Trio, Dolf Bettelheim, Samuel Rhodes | D♭ Major | 7 | 3B | 170 BPM |
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