George Frideric Handel, Emily D’Angelo, The English Concert, Harry Bicket made "Serse, HWV 40, Act I: Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse)" available on May 5, 2023. The duration of Serse, HWV 40, Act I: Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Serse, HWV 40, Act I: Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse)'s duration is considered a little bit shorter than the average duration of a typical track. Since Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Serse, HWV 40, Act I: Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Serse, HWV 40, Act I: Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) by George Frideric Handel, Emily D’Angelo, The English Concert, Harry Bicket having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | ||
Keyboard Concerto in E Major, BWV 1053: I. Allegro | Johann Sebastian Bach, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Minor | 3 | 12A | 94 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM |
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