Sylvia Capova made "Kinderszenen op. 15 - Glückes genug" available on January 18, 1999. With Kinderszenen op. 15 - Glückes genug being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Robert Schumann - Klavierkonzert". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Kinderszenen op. 15 - Glückes genug is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Kinderszenen op. 15 - Glückes genug by Sylvia Capova having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor: IV. Adagietto | London Philharmonic Orchestra | F Major | 2 | 7B | 85 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | B♭ Minor | 2 | 3A | 82 BPM | ||
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | E Major | 0 | 12B | 73 BPM | ||
Orchestermusik in B Major, Op. 52, No. 6: Ave Maria | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 86 BPM | ||
"Eine kleine Nachtmusik", Serenade in G Major, K. 525: IV. Rondo (Allegro) | Radio Orchestra Berlin | G Major | 2 | 9B | 119 BPM | ||
Symphony No. 101 in D Major, Hob. I:101, "The Clock": II. Andante | Mozarteum Orchestra Salzburg | G Major | 1 | 9B | 81 BPM | ||
The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846 | Hyekyung Lee | C Major | 1 | 8B | 135 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Lullaby, Op.16, No. 1 | Danielle Dechenne | B♭ Major | 2 | 6B | 83 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM |
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