Fâcheux exemple (1908)
Erik Satie, Jean-Yves Thibaudet
Classical for Winter: Satie
0:48 December 27, 2021
BPM
97
Key
D Major
Camelot
10B

Embed

Share Link

Fâcheux exemple (1908) - Erik Satie, Jean-Yves Thibaudet Information

Acousticness
100%
Danceability
38%
Energy
1%
Instrumentalness
86%
Liveness
9%
Loudness
42%
Speechiness
7%
Valence
65%
Popularity
Loudness
-34.652 dB

Summary

Erik Satie, Jean-Yves Thibaudet made "Fâcheux exemple (1908)" available on December 27, 2021. With Fâcheux exemple (1908) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 59 out of 195 in Classical for Winter: Satie by Erik Satie, Various Artists. In terms of popularity, Fâcheux exemple (1908) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Fâcheux exemple (1908) BPM

The tempo marking of Fâcheux exemple (1908) by Erik Satie, Jean-Yves Thibaudet is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Fâcheux exemple (1908) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Wishing by Alexis FfrenchWishingAlexis FfrenchE♭ Major15B73 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Minor05A77 BPM
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings)Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars UpatnieksG Minor06A84 BPM
Gymnopedie No. 3 by Takashi Yoshimatsu, Erik Satie, Pascal RogéGymnopedie No. 3Takashi Yoshimatsu, Erik Satie, Pascal RogéA Minor08A74 BPM
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonLo, the full, final sacrifice, Op. 26: Amen - InstrumentalGerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonE Major112B112 BPM
Après un rêve, Op. 7, No. 1 (Arr. Piano) by Gabriel Fauré, Alan FeinbergAprès un rêve, Op. 7, No. 1 (Arr. Piano)Gabriel Fauré, Alan FeinbergF Minor24A134 BPM
Etude No. 2 by Philip GlassEtude No. 2Philip GlassF Major27B101 BPM
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major by Alexander Scriabin, Mikhail PletnevScriabin: 24 Preludes, Op. 11: No. 1 in C MajorAlexander Scriabin, Mikhail PletnevC Major18B63 BPM
The Hours: An Unwelcome Friend (From The Hours: An Unwelcome Friend (From "The Hours")Philip Glass, Nicolas HorvathG Minor06A74 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8965160846710205

End: 0.8999078273773193