John Ireland, Richard Hickox, London Symphony Orchestra's 'Epic March' came out on August 1, 2003. Since Epic March is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms, London Symphony Chorus's "Ireland: Orchestral and Choral Works" album is number 6 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Epic March's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Epic March by John Ireland, Richard Hickox, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O sing joyfully | Adrian Batten, Voices of Ascension Chorus, Dennis Keene | A♭ Major | 1 | 4B | 128 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
In the Middle | Choral Arts Initiative, Brandon Elliott, Dale Trumbore | B♭ Major | 1 | 6B | 65 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
A Downland Suite (completed by G. Bush): I. Prelude | Geoffrey Bush, John Ireland, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 127 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM |
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