"Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso" by St. Petersburg Opera Orchestra was released on December 23, 2008. Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 22 out of 27 in Bach in High Definition: Brandenburg Concertos and Organ Preludes by St. Petersburg Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso by St. Petersburg Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle, Act.2: III. Entrance Of Loys: Pas De Deux | Adolphe Adam, Maxwell Philharmonic Orchestra | D Minor | 0 | 7A | 131 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | B Minor | 1 | 10A | 145 BPM | ||
Romeo and Juliet, Op. 64 : Montagues and Capulets (Suite No.2, Op.64c, No.1) | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | A Minor | 1 | 8A | 99 BPM | ||
Ingemisco (from Requiem) | Fritz Wunderlich, Radio Sinfonie-Orchester Stuttgart, Hans Müller-Kray | E♭ Major | 3 | 5B | 78 BPM | ||
Prince Igor : Polovtsian Dances V. Moderato alla breve | Tbilisi Symphony Orchestra, Jansug Kakhidze | A Major | 2 | 11B | 76 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
スサノオのテーマ | Capcom Sound Team | G Major | 7 | 9B | 116 BPM | ||
Glazunov's Violin Concerto In A Minor, Op. 82 - III. Allegro | Nathan Milstein | A Major | 3 | 11B | 139 BPM | ||
Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM |
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