Nikolai Medtner, Geoffrey Tozer's 'Six Folk Tales, Op. 51: No. 6 in G Major' came out on April 1, 1993. The duration of Six Folk Tales, Op. 51: No. 6 in G Major is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Six Folk Tales, Op. 51: No. 6 in G Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolai Medtner, Geoffrey Tozer's "Medtner: Piano Works, Vol. 2" album is number 12 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Six Folk Tales, Op. 51: No. 6 in G Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Folk Tales, Op. 51: No. 6 in G Major by Nikolai Medtner, Geoffrey Tozer to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana y Gallarda | Carlos Cruz de Castro, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Brahms - Op.116 No.7 Capriccio D minor | Elena Kuschnerova | A Major | 2 | 11B | 77 BPM | ||
6 Etudes de concert, Op. 35: II. Automne | Cécile Chaminade, Mark Viner | D♭ Major | 0 | 3B | 79 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
Sylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano) | Léo Delibes, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Carnaval, Op. 9: XII. Chopin. Agitato | Robert Schumann, Marc-André Hamelin | A♭ Major | 0 | 4B | 110 BPM | ||
Miroirs, M. 43: No. 2, Oiseaux tristes | Maurice Ravel, Bruce Liu | A Minor | 1 | 8A | 135 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: III. Coda. Allegro molto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 90 BPM | ||
Bagatelle sans tonalité, S. 216a | Franz Liszt, Stephen Hough | B Major | 1 | 1B | 133 BPM |
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