"Magnificat primi toni" by Giovanni Pierluigi da Palestrina, Voces8 was released on 2011. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in A Choral Tapestry by Voces8. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Magnificat primi toni's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat primi toni by Giovanni Pierluigi da Palestrina, Voces8 is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Israelsbrünnlein: III. Die mit Tränen säen | Johann Hermann Schein, Christine Hesse, Friedhelm Rentzsch, Stefan Maass, Dresdner Kammerchor, Hans-Christoph Rademann | A Minor | 0 | 8A | 142 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Missa Papae Marcelli: Agnus Dei I - II | Giovanni Pierluigi da Palestrina, The Choir Of Westminster Abbey, Simon Preston | B♭ Major | 1 | 6B | 71 BPM | ||
Ascent (Arr. Ames) | Hildur Guðnadóttir, Voces8 | F♯ Minor | 1 | 11A | 61 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Atomos XI (Arr. Lawson) | A Winged Victory for the Sullen, Dustin O'Halloran, Voces8, Gabriella Swallow, Eleanor Turner, Elsa Bradley, Calie Hough | G Minor | 1 | 6A | 75 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM |
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