Graham Anthony Devine, Johann Sebastian Bach made "Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. G.A. Devine for guitar)" available on June 7, 2011. The duration of Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. G.A. Devine for guitar) is about 3 minutes long, at 3:15. Based on our data, "Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. G.A. Devine for guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 15 in Bach: Transcriptions and Arrangements for Guitar by Johann Sebastian Bach, Graham Anthony Devine. In terms of popularity, Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. G.A. Devine for guitar) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. G.A. Devine for guitar) by Graham Anthony Devine, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Koyunbaba, Op. 19: IV. Presto | Carlo Domeniconi, Celil Refik Kaya | D♭ Minor | 1 | 12A | 118 BPM | ||
Suite del recuerdo: Chacarera | Jose Luis Merlin, Jason Vieaux | E Minor | 2 | 9A | 113 BPM | ||
Sons de Carilhoes (Sound of Bells) | João Pernambuco, Graham Anthony Devine | G Major | 0 | 9B | 143 BPM | ||
Koyunbaba, Op. 19: I. Moderato. II. Mosso. III. Cantabile. IV. Presto | Carlo Domeniconi, Antigoni Goni | F♯ Minor | 1 | 11A | 97 BPM | ||
Suite Popular Brasileira, Gavota-Choro | Sergio & Odair Assad | D Major | 3 | 10B | 128 BPM | ||
24 Studies, Op. 35, "Exercises": No. 17 in D Major (Arr. A. Segovia for Guitar) | Fernando Sor, Eros Roselli | G Major | 1 | 9B | 106 BPM | ||
Prelúdio No. 3 | Sergio & Odair Assad | A Minor | 2 | 8A | 73 BPM | ||
Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere | Toru Takemitsu, Shin-ichi Fukuda | G Major | 0 | 9B | 94 BPM | ||
Etude In A Major | Matteo Carcassi | A Major | 1 | 11B | 96 BPM | ||
Yemaya: V. A la danza - | Joaquin Clerch, Graham Anthony Devine | G Major | 2 | 9B | 110 BPM |
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