"Piano Concerto In G Major: II. Adagio Assai" by François-Joël Thiollier, Polish National Radio Symphony Orchestra, Maurice Ravel was released on January 1, 1997. Since Piano Concerto In G Major: II. Adagio Assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "RAVEL: Bolero". In this album, this song's track order is #8. Piano Concerto In G Major: II. Adagio Assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto In G Major: II. Adagio Assai by François-Joël Thiollier, Polish National Radio Symphony Orchestra, Maurice Ravel having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius : The Spruce, Op. 75 No. 5 (Kuusi) | Jean Sibelius, Izumi Tateno | D Major | 0 | 10B | 73 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphonie sur un chant montagnard francais, Op. 25, "Symphonie cevenole": I. Assez lent - Moderement anime | Vincent d'Indy, François-Joël Thiollier, RTÉ National Symphony Orchestra, Antonio de Almeida | C Major | 0 | 8B | 99 BPM | ||
Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Les jeux d'eau à la Villa d'Este | Franz Liszt, André Watts | F♯ Major | 0 | 2B | 72 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Fragments (1917) | Sergei Rachmaninoff, François-Joël Thiollier | E Major | 0 | 12B | 60 BPM | ||
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM |
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