"Ecce dies, 11th Century" by Ensemble Venance Fortunat, Anne-Marie Deschamps was released on 1987. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Rituel: Sacred Chants from the Early Capetian Era (Chants sacrés au temps des premiers Capétiens)". In this album, this song's track order is #17. Ecce dies, 11th Century is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ecce dies, 11th Century by Ensemble Venance Fortunat, Anne-Marie Deschamps having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Djeva dnes / Дјева днес, валаамски напев | Divna Ljubojevic | C Major | 0 | 8B | 99 BPM | ||
Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
Lux illuxit gratiosa, 13th Century (Transc. Anne-Marie Deschamps) | Ensemble Venance Fortunat, Anne-Marie Deschamps | G Major | 3 | 9B | 101 BPM | ||
聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor | G Major | 2 | 9B | 83 BPM | ||
Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
Feria quinta: Introit. Victricem manum tuam | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E Major | 0 | 12B | 91 BPM | ||
Misa de la Asunción, Introito | Monjes de Santo Domingo de Silos | A Minor | 0 | 8A | 71 BPM | ||
Great Compline: "O Lord of Hosts" And Psalm 150 | Choir of the Monks of Chevetogne | D Major | 1 | 10B | 174 BPM | ||
Lamentations II for Good Friday "In Parasceve": Lectio II: No. 4, Cui comparabo te? | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM |
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