Anton Rubinstein, Ronny Matthes's 'Melodie in F-Dur - Gemafrei - Piano Version' came out on September 1, 2018. The duration of Melodie in F-Dur - Gemafrei - Piano Version is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Melodie in F-Dur - Gemafrei - Piano Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ronny Matthes's "Hintergrundmusik, Vol. 16 - Gemafreie Musik zur Beschallung von Hotels & Restaurants (Inkl. Romantische, klassische Klaviermusik) [Royalty Free Background Music]" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Melodie in F-Dur - Gemafrei - Piano Version's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Melodie in F-Dur - Gemafrei - Piano Version by Anton Rubinstein, Ronny Matthes to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | ||
Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Ah, Holy Jesus, How Hast Thou Offended - Piano Version, Pt. 2 - Opening | Johann Crüger, Ronny Matthes | A Major | 2 | 11B | 97 BPM | ||
Santa Lucia - Arranged for Piano | Anonymous , Marco Falossi | F Major | 0 | 7B | 45 BPM | ||
Shall We Gather At The River | Gary Schnitzer | C Major | 2 | 8B | 90 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM |
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