"The Planets, Op. 32: VII. Neptune, the Mystic" by Melbourne Symphony Orchestra was released on March 8, 2011. Since The Planets, Op. 32: VII. Neptune, the Mystic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Melbourne Symphony Orchestra's "Gustav Holst: The Planets" album is number 7 out of 8. On top of that, Germany appears to be the country where this track was created. The Planets, Op. 32: VII. Neptune, the Mystic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: VII. Neptune, the Mystic by Melbourne Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A: Entry of the Gods into Valhalla | Richard Wagner, Cleveland Orchestra, George Szell | D♭ Major | 2 | 3B | 87 BPM | ||
Peer Gynt, Suite No. 1, Op. 46: I. Morning | Edvard Grieg, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca | E Major | 1 | 12B | 88 BPM | ||
Wagner: Die Walküre, Act III: Ride of the Walkyries | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | B Major | 4 | 1B | 105 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | C Minor | 1 | 5A | 99 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Grande Polonaise in E-flat Major. Molto allegro | Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | E♭ Major | 2 | 5B | 109 BPM | ||
Le nozze de Figaro, K. 492, Act I: Overture | Orchestra Victoria, Richard Divall | D Major | 1 | 10B | 138 BPM | ||
Sonata in D for Trumpet and Strings: II. Adagio | Henry Purcell, Raymond Leppard, English Chamber Orchestra | B Minor | 1 | 10A | 90 BPM | ||
Symphony No.5 in C minor, Op.67: 1. Allegro con brio | Ludwig van Beethoven, Concertgebouworkest, George Szell | C Minor | 3 | 5A | 93 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM |
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