On March 23, 2004, the song "Aria With 30 Variations Bmv 988, Variation 21, Canone Alla Settima" was released by Gustav Leonhardt. The duration of Aria With 30 Variations Bmv 988, Variation 21, Canone Alla Settima is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Aria With 30 Variations Bmv 988, Variation 21, Canone Alla Settima's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 32 in Bach: The Goldberg Variations, BWV988 by Gustav Leonhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Aria With 30 Variations Bmv 988, Variation 21, Canone Alla Settima is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aria With 30 Variations Bmv 988, Variation 21, Canone Alla Settima by Gustav Leonhardt is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quadri (Hamburg 1730) No. 1: Concerto Primo: V. Allegro | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | C Major | 1 | 8B | 119 BPM | ||
Water Music, Suite No. 1 en fa majeur, HWV 348: IV. Andante | George Frideric Handel, Bernard Labadie, Les Violons du Roy | B♭ Major | 4 | 6B | 117 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
L'art de toucher le clavecin: Cinquème prélude (A major) | François Couperin, Gustav Leonhardt | G Major | 2 | 9B | 106 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Cello Concerto in A minor, Wq.170 / H.439 (Cadenzas: Anner Bylsma): I. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | E Major | 2 | 12B | 148 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Sonata in B-flat Major: I. Largo - Instrumental | Georg Philipp Telemann, Gustav Leonhardt | G Major | 2 | 9B | 106 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 16 in G minor, BWV 861 | Luc Beauséjour | F♯ Minor | 2 | 11A | 91 BPM |
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