Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.7 in E flat major BWV852" available on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.7 in E flat major BWV852 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.7 in E flat major BWV852's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.7 in E flat major BWV852 is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.7 in E flat major BWV852 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | B♭ Major | 0 | 6B | 100 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 74 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Rondo, Op. 11, "Rondo Favori" | Johann Nepomuk Hummel, Elena Denisova | E Minor | 1 | 9A | 125 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, David Shifrin, Emerson String Quartet | D♭ Major | 5 | 3B | 106 BPM | ||
Piano Sonata in C minor, H.XVI No.20: 3. Finale (Allegro) | Joseph Haydn, Alfred Brendel | B♭ Major | 0 | 6B | 134 BPM |
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