"Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Since Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #7. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Thaïs: Méditation | Jules Massenet, John Georgiadis, London Symphony Orchestra, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix | Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge | F Major | 2 | 7B | 81 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato | Ralph Vaughan Williams, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 105 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, London Symphony Orchestra | C Major | 0 | 8B | 70 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Carmen: Carmen, Act III: Intermezzo | Georges Bizet, London Symphony Orchestra, Don Jackson | B Major | 0 | 1B | 66 BPM |
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