January 1, 1992
Audio information that is featured on Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble.
Find songs that harmonically matches to Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Lamento della ninfa||Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX||A Minor||1||8A||98|
|Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)||Heitor Villa-Lobos, Liat Cohen, Natalie Dessay||A Minor||0||8A||70|
|Nana||Manuel de Falla, Remy Van Kesteren||A Minor||0||8A||94|
|Monteverdi: Madrigals, Book 8: Lamento della ninfa, SV 163: IV. Amor||Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten||A Minor||1||8A||136|
|Kleine Dreigroschenmusik: II. The Ballad of Mack the Knife: Moderato assai||Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz||A Minor||0||8A||160|
|Floresta do Amazonas, W551: 4. Melodia Sentimental||Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano||A Minor||1||8A||85|
|Floresta do Amazonas: Sentimental Melody||Heitor Villa-Lobos, Renée Fleming, Moscow Physical & Engineering Institute Male Chorus, Moscow Radio Symphony Orchestra, Alfred Heller||A Minor||2||8A||93|
|Locus iste||Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique Oblique||C Major||0||8B||66|
|Ave Maria||Charles Gounod, Yo-Yo Ma||C Major||0||8B||87|
|Fantasia on a Theme by Thomas Tallis||Ralph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner||C Major||1||8B||94|
|Gershwin / Arr. Kennedy: Summertime||George Gershwin, Nigel Kennedy||C Major||1||8B||107|
|Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile||Franz Joseph Haydn, Viviane Chassot||C Major||0||8B||140|
|Suite im alten Stil - performed on Violin and Harp: 5. Pantomime||Alfred Schnittke, Gidon Kremer, Naoko Yoshino||C Major||1||8B||112|
|Bachianas brasileiras No. 2, "O trenzinho do Caipira": IV. Toccata: O trenzinho do Caipira (The Peasant’s Little Train)||Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn||C Major||1||8B||97|
|Mine||George Gershwin, Zubin Mehta, New York Philharmonic||C Major||2||8B||138|
|O Trenzinho Do Caipira||Egberto Gismonti||C Major||5||8B||76|
|Ave Maria: arr. from Bach's Prelude No.1, BWV 846 (Arr. by Maisky)||Charles Gounod, Pavel Gililov, Mischa Maisky||C Major||1||8B||89|
|One Touch Of Venus: Speak Low||Kurt Weill, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner||C Major||0||8B||96|
This song is track #3 in The Essential Kiri by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble, which has a total of 15 tracks. The duration of this track is 6:47 and was released on January 1, 1992. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) might be one of them, due to it's low energy and danceability.
Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) has a BPM of 99. Since this track has a tempo of 99, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.
The key of Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) is A Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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