Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble

Song Analysis

Audio information that is featured on Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble.

Acousticness

93%

Energy

5%

Liveness

28%

Speechiness

4%

Danceability

14%

Instrumentalness

22%

Loudness

59%

Valence

4%

Harmonic Matches

Find songs that harmonically matches to Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Lamento della ninfa by Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XXLamento della ninfaClaudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XXA Minor18A98
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) by Heitor Villa-Lobos, Liat Cohen, Natalie DessayVilla-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)Heitor Villa-Lobos, Liat Cohen, Natalie DessayA Minor08A70
Nana by Manuel de Falla, Remy Van KesterenNanaManuel de Falla, Remy Van KesterenA Minor08A94
Monteverdi: Madrigals, Book 8: Lamento della ninfa, SV 163: IV. Amor by Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas AchtenMonteverdi: Madrigals, Book 8: Lamento della ninfa, SV 163: IV. AmorClaudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas AchtenA Minor18A136
Kleine Dreigroschenmusik: II. The Ballad of Mack the Knife: Moderato assai by Kurt Weill, Munich Radio Orchestra, Gerd Müller-LorenzKleine Dreigroschenmusik: II. The Ballad of Mack the Knife: Moderato assaiKurt Weill, Munich Radio Orchestra, Gerd Müller-LorenzA Minor08A160
Floresta do Amazonas, W551: 4. Melodia Sentimental by Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert SpanoFloresta do Amazonas, W551: 4. Melodia SentimentalHeitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert SpanoA Minor18A85
Floresta do Amazonas: Sentimental Melody by Heitor Villa-Lobos, Renée Fleming, Moscow Physical & Engineering Institute Male Chorus, Moscow Radio Symphony Orchestra, Alfred HellerFloresta do Amazonas: Sentimental MelodyHeitor Villa-Lobos, Renée Fleming, Moscow Physical & Engineering Institute Male Chorus, Moscow Radio Symphony Orchestra, Alfred HellerA Minor28A93
Locus iste by Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique ObliqueLocus isteAnton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique ObliqueC Major08B66
Ave Maria by Charles Gounod, Yo-Yo MaAve MariaCharles Gounod, Yo-Yo MaC Major08B87
Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville MarrinerFantasia on a Theme by Thomas TallisRalph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville MarrinerC Major18B94
Gershwin / Arr. Kennedy: Summertime by George Gershwin, Nigel KennedyGershwin / Arr. Kennedy: SummertimeGeorge Gershwin, Nigel KennedyC Major18B107
Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile by Franz Joseph Haydn, Viviane ChassotKeyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabileFranz Joseph Haydn, Viviane ChassotC Major08B140
Suite im alten Stil - performed on Violin and Harp: 5. Pantomime by Alfred Schnittke, Gidon Kremer, Naoko YoshinoSuite im alten Stil - performed on Violin and Harp: 5. PantomimeAlfred Schnittke, Gidon Kremer, Naoko YoshinoC Major18B112
Bachianas brasileiras No. 2, Bachianas brasileiras No. 2, "O trenzinho do Caipira": IV. Toccata: O trenzinho do Caipira (The Peasant’s Little Train)Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth SchermerhornC Major18B97
Mine by George Gershwin, Zubin Mehta, New York PhilharmonicMineGeorge Gershwin, Zubin Mehta, New York PhilharmonicC Major28B138
O Trenzinho Do Caipira by Egberto GismontiO Trenzinho Do CaipiraEgberto GismontiC Major58B76
Ave Maria: arr. from Bach's Prelude No.1, BWV 846 (Arr. by Maisky) by Charles Gounod, Pavel Gililov, Mischa MaiskyAve Maria: arr. from Bach's Prelude No.1, BWV 846 (Arr. by Maisky)Charles Gounod, Pavel Gililov, Mischa MaiskyC Major18B89
One Touch Of Venus: Speak Low by Kurt Weill, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot GardinerOne Touch Of Venus: Speak LowKurt Weill, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot GardinerC Major08B96

Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble Information

This song is track #3 in The Essential Kiri by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble, which has a total of 15 tracks. The duration of this track is 6:47 and was released on January 1, 1992. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) might be one of them, due to it's low energy and danceability.

Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) BPM

Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) has a BPM of 99. Since this track has a tempo of 99, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) Key

The key of Bachianas brasileiras No.5 for Soprano and Cellos, W.389: Aria (Cantilena) is A Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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