"Symphony, Op. 21: I. Ruhig schreitend" by Anton Webern, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1996. Since Symphony, Op. 21: I. Ruhig schreitend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Webern: Symphony Op.21 by Anton Webern, Christiane Oelze, Gerald Finley, Berliner Philharmoniker, Pierre Boulez, BBC Singers. The song's track number on the album is #9 out of 21 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphony, Op. 21: I. Ruhig schreitend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: I. Ruhig schreitend by Anton Webern, Berliner Philharmoniker, Pierre Boulez has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony, Op. 21: I. Ruhig schreitend being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
The Seasons: 4. Spring | John Cage, Herbert Henck | D Minor | 0 | 7A | 118 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Marc Coppey, Polish National Radio Symphony Orchestra (NOSPR), Lawrence Foster | F Minor | 3 | 4A | 125 BPM | ||
Ligeti : Hamburg Concerto : IV Solo, Intermezzo, Mixtur, Kanon | György Ligeti, Reinbert de Leeuw | G Minor | 1 | 6A | 78 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels | Anton Webern, Pierre Boulez, London Symphony Orchestra | F Minor | 1 | 4A | 97 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM |
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