"Symphony, Op. 21: I. Ruhig schreitend" by Anton Webern, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1996. Since Symphony, Op. 21: I. Ruhig schreitend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Webern: Symphony Op.21 by Anton Webern, Christiane Oelze, Gerald Finley, Berliner Philharmoniker, Pierre Boulez, BBC Singers. The song's track number on the album is #9 out of 21 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphony, Op. 21: I. Ruhig schreitend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: I. Ruhig schreitend by Anton Webern, Berliner Philharmoniker, Pierre Boulez has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony, Op. 21: I. Ruhig schreitend being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana, Op. 12: I. Venezia notturna | Thomas Adès, Danish String Quartet | A♭ Major | 0 | 4B | 95 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Ma mère l'oye, M.60: 1. Pavane de la Belle au bois dormant: Lent | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 0 | 8B | 105 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM | ||
Première Rapsodie, L. 116 | Claude Debussy, Hallé, Sir Mark Elder, Sergio Castelló López | F♯ Major | 0 | 2B | 87 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
String Quartet No. 4, Sz. 91: 5. Allegro molto | Béla Bartók, Tokyo String Quartet | A Major | 1 | 11B | 93 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | D♭ Minor | 0 | 12A | 82 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM |
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