- BPM
- 137
- Key
- F♯ Major
- Camelot
- 2B
La plus que lente, L. 121 - Claude Debussy, Noriko Ogawa Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 1%
- Instrumentalness
- 89%
- Liveness
- 12%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 10%
- Loudness
- -28.984 dB
Summary
"La plus que lente, L. 121" by Claude Debussy, Noriko Ogawa was released on October 9, 2021. La plus que lente, L. 121 is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 26 out of 30 in Classical Masterminds - Debussy by Claude Debussy, Various Artists. Based on our statistics, La plus que lente, L. 121's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La plus que lente, L. 121 BPM
The tempo marking of La plus que lente, L. 121 by Claude Debussy, Noriko Ogawa is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
La plus que lente, L. 121 Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | |
 | 12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | |
 | Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | |
 | Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | |
 | Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | |
 | Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Reverie | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 68 BPM | |
![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211) | 6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7182555198669434
End: 0.7220511436462402