Marnie Breckenridge made "In The Wee Small Hours Of The Morning" available on March 25, 2022. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in In The Wee Small Hours Of The Morning and no other songs are present in the album, we classify this track as a single. The popularity of In The Wee Small Hours Of The Morning is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of In The Wee Small Hours Of The Morning by Marnie Breckenridge to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne) | Wolfgang Amadeus Mozart, Brigitte Lindner /Adolf Dallapozza/Kurt Moll/Bayerisches Staatsorchester/Eberhard Schoener, Eberhard Schoener, Bavarian State Orchestra | E Major | 2 | 12B | 177 BPM | ||
Three Rides: 3. The Cyclone | Herschel Garfein, Marnie Breckenridge, Dave Eggar, Thomas Bagwell | F Major | 3 | 7B | 160 BPM | ||
The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 78 BPM | ||
Apres un Reve | OperaBabes | G Minor | 1 | 6A | 69 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Deh! proteggimi, o Dio!" | Vincenzo Bellini, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D♭ Major | 0 | 3B | 95 BPM | ||
Songs of Travel: VII. Whither Must I Wander? | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | C Minor | 0 | 5A | 76 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Myrthen, Op. 25: No. 1. Widmung | Robert Schumann, Diana Damrau, Helmut Deutsch | F Major | 0 | 7B | 86 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | G Major | 3 | 9B | 80 BPM |
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