"<青のオーケストラ>バレエ組曲「くるみ割り人形」 花のワルツ(チャイコフスキー)" by バンベルク交響楽団, ジョネル・ペルラ was released on November 22, 2023. <青のオーケストラ>バレエ組曲「くるみ割り人形」 花のワルツ(チャイコフスキー) is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There is only one song in テレビアニメ・クラシックス 2023 Vol.2, so we believe that "<青のオーケストラ>バレエ組曲「くるみ割り人形」 花のワルツ(チャイコフスキー)" is a single. <青のオーケストラ>バレエ組曲「くるみ割り人形」 花のワルツ(チャイコフスキー) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of <青のオーケストラ>バレエ組曲「くるみ割り人形」 花のワルツ(チャイコフスキー) by バンベルク交響楽団, ジョネル・ペルラ is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Strings | Samuel Barber, Tchaikovsky Chamber Orchestra | B♭ Minor | 1 | 3A | 82 BPM | ||
Grieg: Peer Gynt, Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 0 | 12B | 135 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Giulio Franzetti, I Solisti Dell'Orchestra Filarmonica Della Scala, Robert Kettelson, Riccardo Muti | C Minor | 2 | 5A | 193 BPM | ||
Orpheus in the Underworld ("Orphée aux enfers"): Can Can (excerpt from Overture) | London Philharmonic Orchestra, Horst Stein | G Minor | 0 | 6A | 88 BPM | ||
Aida (Marcia trionfale) | Orchestra Sinfonica e Coro della Scandinavian Collegium | E♭ Major | 3 | 5B | 56 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | G Major | 3 | 9B | 74 BPM | ||
Waltz No. 1 in D-Flat Major, Op. 64 | Frédéric Chopin, Dubravka Tomšič | D♭ Minor | 1 | 12A | 88 BPM | ||
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM |