Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel made "Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro" available on January 1, 1987. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 13 in Devienne: Chamber Music for Bassoon & Strings by Klaus Thunemann. Based on our statistics, Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro by Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Octet In F, D.803: 3. Allegro vivace | Franz Schubert, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch, Eduard Brunner, Radovan Vlatkovic, Klaus Thunemann | F Minor | 0 | 4A | 97 BPM | ||
Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 - Arr. Hogwood for Flute & Strings: 2. Largo | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Quartet No. 3 for Bassoon & Strings, Op. 73: II. Adagio non troppo | Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel | B♭ Major | 0 | 6B | 108 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 125 BPM | ||
Sonata for Bassoon and Piano in G-Major, Op. 168: II. Allegro scherzando | Camille Saint-Saëns, Klaus Thunemann, Ricardo Requejo | B♭ Major | 1 | 6B | 76 BPM | ||
Sonata in G Minor, BWV 1020: II. Adagio | Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora | E♭ Major | 0 | 5B | 71 BPM | ||
Variations and Rondo in B flat major, Op. 57: Introduzione (Adagio) - Tema con variationi (Allegretto - Adagio) - Rondoletto (Allegretto) | Johann Wenzel Kalliwoda, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 76 BPM | ||
Quartet No. 2 for Bassoon & Strings, Op. 73: III. Grazioso con variazioni | Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel | F Major | 1 | 7B | 132 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
Concertino, JW 7/11: 2. Più mosso | Leoš Janáček, András Schiff, Elmar Schmid, Klaus Thunemann, Radovan Vlatkovic, Jiří Panocha, Pavel Zejfart, Miroslav Sehnoutka | A♭ Minor | 1 | 1A | 123 BPM |
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