"Corelli: Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale" - I. Vivace - Grave" by Arcangelo Corelli, The English Concert, Trevor Pinnock was released on November 20, 2023. With Corelli: Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale" - I. Vivace - Grave being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 82 in Classical Music: Christmas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Corelli: Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale" - I. Vivace - Grave's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Corelli: Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale" - I. Vivace - Grave by Arcangelo Corelli, The English Concert, Trevor Pinnock is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
|Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai||Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth||F♯ Minor||2||11A||156 BPM|
|Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)||Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment||E Major||3||12B||97 BPM|
|Gavotte (Paride ed Elena)||Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio||A Major||0||11B||98 BPM|
|Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro]||Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment||E Major||4||12B||172 BPM|
|Te Deum Motet à deux choeurs||Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel||B Major||3||1B||147 BPM|
|Mystery (Rosary) Sonata No. 2, "The Visitation": I. —||Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia||A♭ Major||0||4B||78 BPM|
|Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice]||Jean-Baptiste Lully, William Christie, Les Arts Florissants||F Minor||1||4A||71 BPM|
|Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro||Johann Christian Bach, Concerto Köln||F♯ Minor||1||11A||87 BPM|
|Concerto for 2 Mandolins in G Major, RV 532: I. Allegro||Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann||D Major||3||10B||107 BPM|
|Keyboard Concerto in G Major, Wq. 44: II. Andantino||Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig||E Minor||0||9A||87 BPM|