"Violin Concerto in D Minor, Op. 47: I. Allegro moderato" by Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen was released on January 1, 2008. Violin Concerto in D Minor, Op. 47: I. Allegro moderato appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schoenberg: Violin Concerto / Sibelius: Violin Concerto op.47". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violin Concerto in D Minor, Op. 47: I. Allegro moderato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Minor, Op. 47: I. Allegro moderato by Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 2. Adagio | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E Major | 0 | 12B | 115 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |
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