"Violin Concerto in D Minor, Op. 47: I. Allegro moderato" by Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen was released on January 1, 2008. Violin Concerto in D Minor, Op. 47: I. Allegro moderato appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schoenberg: Violin Concerto / Sibelius: Violin Concerto op.47". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violin Concerto in D Minor, Op. 47: I. Allegro moderato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Minor, Op. 47: I. Allegro moderato by Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Karelia, JS 115: Intermezzo (I) | Jean Sibelius, Raimo Laukka, Heikki Laitinen, Taito Hoffren, Pertti Kuusi, Lahti Symphony Orchestra, Osmo Vänskä | E♭ Major | 2 | 5B | 96 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo) | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 5 | 5A | 116 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: I. Allegro moderato | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Major | 1 | 10B | 79 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
Section: 0.6881771087646484
End: 0.6931483745574951