"Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 7. Romeo at Juliet's Grave" by Minnesota Orchestra, Stanisław Skrowaczewski was released on March 30, 2010. Since Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 7. Romeo at Juliet's Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Soviet Classics (Standing Ovation Series)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 7. Romeo at Juliet's Grave is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 7. Romeo at Juliet's Grave by Minnesota Orchestra, Stanisław Skrowaczewski having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: An Alpine Symphony, Op. 64: XVII. Quiet Before the Storm | Minnesota Orchestra, Edo de Waart | F♯ Major | 0 | 2B | 74 BPM | ||
Warsaw - Live | Dessa, Minnesota Orchestra | D Major | 7 | 10B | 116 BPM | ||
The Beekeeper - Live | Dessa, Minnesota Orchestra | C Minor | 2 | 5A | 127 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 3. Mercury, the Winged Messenger (Vivace) | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | C Major | 1 | 8B | 90 BPM | ||
Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | G Minor | 0 | 6A | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM |
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