Riccardo Muti, Philadelphia Orchestra's 'Pictures at an Exhibition (1984 - Remaster): The Hut on Fowls' Legs (Baba Yaga)' came out on March 13, 2006. The duration of Pictures at an Exhibition (1984 - Remaster): The Hut on Fowls' Legs (Baba Yaga) is about 3 minutes long, at 3:14. Based on our data, "Pictures at an Exhibition (1984 - Remaster): The Hut on Fowls' Legs (Baba Yaga)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "The Platinum Collection". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Pictures at an Exhibition (1984 - Remaster): The Hut on Fowls' Legs (Baba Yaga) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition (1984 - Remaster): The Hut on Fowls' Legs (Baba Yaga) by Riccardo Muti, Philadelphia Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai | Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo Muti | B♭ Major | 1 | 6B | 67 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Neue Melodien-Quadrille, Op. 254 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 3 | 6B | 123 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Paysan et l'ours (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 75 BPM | ||
Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Leichtes Blut, Polka schnell, Op. 319 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | G Minor | 5 | 6A | 89 BPM | ||
Bad'ner Mad'ln, Walzer, Op. 257 | Karel Komzák, Jr., Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM |
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