"Song To The Moon - Excerpt From The Opera Rusalka" by Gabriela Beňačková, Czech Philharmonic Orchestra was released on January 1, 1989. Song To The Moon - Excerpt From The Opera Rusalka is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 7 out of 7 in Driving Miss Daisy (Original Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Song To The Moon - Excerpt From The Opera Rusalka's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Song To The Moon - Excerpt From The Opera Rusalka by Gabriela Beňačková, Czech Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH.26 "Polish": 5. Finale: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Semyon Bychkov, Czech Philharmonic | F Major | 1 | 7B | 88 BPM | ||
The Kitchen Revue, H. 161: Tango. Lento | Bohuslav Martinů, Czech Philharmonic, Christopher Hogwood | D Major | 3 | 10B | 115 BPM | ||
Wagner: Tristan und Isolde: Mild und leise - Liebestod | Birgit Nilsson | C Major | 4 | 8B | 76 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro - Live | Dmitri Shostakovich, Czech Philharmonic, Rafael Kubelík | G Minor | 2 | 6A | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 3: Cosa mi narri?...Che soave zeffiretto | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 37 BPM | ||
Messiah, HWV 56: Part I: He shall feed His flock like a shepherd; Come unto Him (Airs) | George Frideric Handel, Katherine Ciesinski, Judith Blegen, Richard Westenburg | F Major | 1 | 7B | 119 BPM | ||
交響曲 第 1番 ト短調 3. Scherzo. Allegro non troppo | Vasily Kalinnikov, 山田和樹, Czech Philharmonic Orchestra | A Minor | 2 | 8A | 106 BPM |
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