"Oboe Sonata in F Major, Op. 13: I. Allegro" by Gustav Schreck, Alessandro Baccini, Alessandro Cappella was released on August 1, 2013. With this song being about 5 minutes long, at 4:37, "Oboe Sonata in F Major, Op. 13: I. Allegro" by Gustav Schreck, Alessandro Baccini, Alessandro Cappella is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Virtuosic and enchanting XIX and XX century music for Oboe and Piano by Alessandro Baccini. The song's track number on the album is #5 out of 10 tracks. Oboe Sonata in F Major, Op. 13: I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Sonata in F Major, Op. 13: I. Allegro by Gustav Schreck, Alessandro Baccini, Alessandro Cappella has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Oboe Sonata in F Major, Op. 13: I. Allegro being at 61 BPM, the half-time would be 30 BPM with a double-time of 122 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live | Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders | C Major | 1 | 8B | 79 BPM | ||
Petite messe solennelle: IV. Gloria. Gloria in excelsis Deo | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 6 | 9A | 108 BPM | ||
Piano Concerto in D Minor, Op. 7: I. Allegro entusiastico | Vitezslava Kaprálová, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák | A Minor | 2 | 8A | 82 BPM | ||
Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Was sind das für Reden zwischen euch - Live | Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders, André Khamasmie, Lars Conrad, Andreas Scheibner | D Major | 1 | 10B | 76 BPM | ||
Wenn ich einmal soll scheiden (arr. G. Schreck) | Hans Leo Hassler, Gustav Schreck, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | E♭ Minor | 2 | 2A | 195 BPM | ||
5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | A Major | 0 | 11B | 68 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Christ lag in Todesbanden: IVd. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM |
Section: 0.7701990604400635
End: 0.7738261222839355