"And There Were Shepherds" by Atlanta Symphony Orchestra, Atlanta Symphony Chorus was released on October 14, 2008. With this song being about 5 minutes long, at 4:49, "And There Were Shepherds" by Atlanta Symphony Orchestra, Atlanta Symphony Chorus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 16 in Christmas With Robert Shaw by Atlanta Symphony Orchestra, Atlanta Symphony Chorus. And There Were Shepherds is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of And There Were Shepherds by Atlanta Symphony Orchestra, Atlanta Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credo, RV 591: Crucifixus | Antonio Vivaldi, Carlo Maria Giulini, Berliner Philharmoniker | E♭ Minor | 1 | 2A | 63 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Stabat Mater, FP 148: I. Stabat Mater dolorosa | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 1 | 8A | 104 BPM | ||
Shchedrin: Carmen Suite: IX. Torero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino simplice | Pyotr Ilyich Tchaikovsky, André Watts, Atlanta Symphony Orchestra, Yoel Levi | D♭ Major | 0 | 3B | 112 BPM | ||
The Rite of Spring, Pt. 2 "Le sacrifice": Evocation des ancêtres (1947 Version) | Igor Stravinsky, Atlanta Symphony Orchestra, Yoel Levi | C Major | 1 | 8B | 86 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
From Silden to Trelis | Kai Rosenkranz | A♭ Major | 1 | 4B | 170 BPM |
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