Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana made "Second Concert, RCT 8: III. L’Agaçante, Rondement" available on March 4, 2022. The duration of Second Concert, RCT 8: III. L’Agaçante, Rondement is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Second Concert, RCT 8: III. L’Agaçante, Rondement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana's "Jean-Philippe Rameau: Pièces De Clavecin En Concerts" album is number 6 out of 16. On top of that, Netherlands appears to be the country where this track was created. Second Concert, RCT 8: III. L’Agaçante, Rondement is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Second Concert, RCT 8: III. L’Agaçante, Rondement by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
Section: 0.9927065372467041
End: 0.9961531162261963