Gottfried Heinrich Stölzel, Xuefei Yang's 'Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508' came out on February 6, 2012. The duration of Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 16 in Bach Concertos by Johann Sebastian Bach, Xuefei Yang. Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 by Gottfried Heinrich Stölzel, Xuefei Yang is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah: Part 1, For unto us a child is born (Chorus) | The Sixteen | F♯ Major | 3 | 2B | 104 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 17 in D Major | Fernando Sor, Timo Korhonen | D Major | 0 | 10B | 79 BPM | ||
Secret Love | Sammy Fain, Paul Francis Webster, Xuefei Yang | A Major | 0 | 11B | 127 BPM | ||
Concerto for 2 Trumpets, Strings & Continuo in C Major, RV 537: III. Allegro | Antonio Vivaldi, Maurice André, Mauritz Sillem, English Chamber Orchestra, Sir Charles Mackerras | C Major | 3 | 8B | 120 BPM | ||
Messiah: Part 1, Every valley shall be exalted (Air, Tenor) | The Sixteen | E♭ Major | 2 | 5B | 103 BPM | ||
The Nutcracker, Op. 71, TH.14 / Act 2: No. 12e Dance of the Reed Pipes | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 143 BPM | ||
Merry Christmas Mr. Lawrence | Kaori Muraji | G Minor | 2 | 6A | 95 BPM | ||
Pietà, Signore | Alessandro Stradella, Angela Gheorghiu, London Philharmonic Orchestra, Ion Marin | D Minor | 2 | 7A | 69 BPM | ||
Passions-Oratorium, Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi, TWV5:2: Sonata | Georg Philipp Telemann, L'arpa Festante, Wolfgang Schäfer | F♯ Major | 3 | 2B | 61 BPM | ||
Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] | Charles Gounod, Maurice André, Jane Parker-Smith | F Major | 2 | 7B | 72 BPM |
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