Johann Sebastian Bach, Rosalyn Tureck made "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 6 Canone alla Seconda a 1 Clav." available on June 8, 2021. The duration of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 6 Canone alla Seconda a 1 Clav. is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 6 Canone alla Seconda a 1 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 48 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. In terms of popularity, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 6 Canone alla Seconda a 1 Clav. is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 6 Canone alla Seconda a 1 Clav. by Johann Sebastian Bach, Rosalyn Tureck is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 2 | 2B | 94 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live at Konzerthaus Berlin / 2018 | Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller | B Major | 0 | 1B | 84 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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