"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie" by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse was released on 1995. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 28 in Carmina Burana by Carl Orff. Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Die Fledermaus / Act 1: Dialog: Die arme Tante | Johann Strauss II, Julia Varady, René Kollo | G Major | 1 | 9B | 110 BPM | ||
Carmina Burana / 3. Cour d'amours: "Stetit puella" | Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | B Minor | 0 | 10A | 84 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: La cloche a sonné; nous, des ouvrières (Jeunes gens) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | C Major | 0 | 8B | 94 BPM | ||
Die Fledermaus / Act 1: Dialog: Sag mal, also statt fünf musst du acht Tage | Johann Strauss II, Julia Varady, Hermann Prey, Lucia Popp, Bernd Weikl | D♭ Major | 1 | 3B | 139 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM |
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