"Trio Sonata in E Minor, Op. 3, No. 4: III. Grave" by Jacques Hotteterre, Frank Theuns, Marc Hantaï, Martin Bauer, Ewald Demeyere was released on January 1, 2003. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacques Hotteterre, Frank Theuns's "Hotteterre, J.: Chamber Music" album is number 3 out of 30. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Trio Sonata in E Minor, Op. 3, No. 4: III. Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio Sonata in E Minor, Op. 3, No. 4: III. Grave by Jacques Hotteterre, Frank Theuns, Marc Hantaï, Martin Bauer, Ewald Demeyere to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oratorio a 4 voci: “Tutti son del materno mio seno” | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Trio Sonata in D Major, Op. 3, No. 2: IV. Gigue: Vivement | Jacques Hotteterre, Frank Theuns, Marc Hantaï, Martin Bauer, Ewald Demeyere | A Minor | 0 | 8A | 81 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Chamber Sonata No. 2 in C Minor: V. Aria affettuoso - Allegro - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | B Minor | 1 | 10A | 127 BPM | ||
Symphony in D Major, H. 651, Wq. 176: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Chamber Sonata No. 4 in G Minor: VII. Aria affettuoso - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 0 | 11A | 71 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
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